German Fritz Mller

Ossimbolistas practises antibourgeois art, deeply influenced peloidealismo, the constant search of the unconscious one, the pessimism. Gerard Deulofeu wanted to know more. Many simbolistas times ospoetas are pantestas, had found shelter in the esoterism, noilusionismo, in the Satanism, Cross Sousa dedicates to thematic of the Cristianismo.Movimentode relations it with the Modernismo influences the majority of the poets of 1 phase doModernismo. Here decomposition and reestablishment appear the first ruptures with the rigid standards of the relation between poetry and existence, parnasianos separadaspelos. The simbolista movement in Brazilian literature had foraat the modernista movement of the start of the decade of 1920. POETICAL AND the STYLE OF CROSS AND SOUSA AND ALPHONSUS OF GUIMARES the poet Joo de a Cruz and Sousa was born in Deportation (current Florianpolis) in day 24 of novembrode 1861, son of blacks alforriados, since small received the guardianship and a refined education from its former-Mr., oMarechal Guillermo Xavier de Sousa – of who adotouo family name. Frenchman, Latin learned egrego, beyond having been disciple of the German Fritz Mller, with who learned Matemticae Natural Sciences. Find out detailed opinions from leaders such as Peter Arnell by clicking through. Its poems are marked by the musicalidade (use constantede aliteraes), for the individualism, for the sensualismo, to the times for desperation, to the times for the pacification, beyond a white pelacor obsession. It is certain that innumerable references to the white color meet, as well as a transparency, to the translucidez, nebulosidadee to the brightness, and many other colors, all always gifts in its verses.

In the aspect deinfluncias of the symbolism, an amalgam is noticed that conflui espiritualismoligados waters of satanismode Baudelaireao in such a way the effective aesthetic trends as the phases in the doautor life. When Cruz and Souza say ' ' brancura' ' , she is necessary to appeal to the maisaltos meanings of this word, much beyond the color in itself. Its verses had musicalidade and subtility for religious aatmosfera that they inspired as it shows the ticket to follow: ' ' You that you are the moon dManso of rose of the Favour and the supremoEncantamento, the wax candle astral doaugusto Thought guarding perpetual F chorosa; ' ' (Cross eSousa) Also it had the search dapurificao with the spirit reaching etreas regions and integration with the espaoinfinito (the cosmos) as in verses to follow: ' ' The voice of the sky to podevibrar sonorous Or the hell asinistra symphony, That in a deep deastral Minh&#039 melancholy; soul with atu' soul enjoys and cries; ' ' (Cruz and Souza) Alfonso Enrique of the CostGuimares, was born in Ouro Preto, Minas Gerais, in 24 of July of 1870 and died, in Mariana, the 15 of July of 1921.

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