It decides then to move away itself from the job for a time, in order to take care of of its health and mainly if to see free of the beggar. But in its habitual stroll, it finishes finding the e, again being bothered, takes the citizen until the door of its house promising money, enters in house, it leaves and it shoots in the beggar. In this story Rubem Fonseca it constructs in the personage of the executive, a solitary personality, centered in its proper thoughts, that not accepted the presence of the exterioridade in its life. All its routine is come back to the work that he himself considers not to be useful. We notice in the vision of this personage, what Discardings argue in its philosophy of the conscience, where the citizen is an independent being, solitary, that it does not need contact with the other. I cogitate it I think, then I exist represents what in the interior of the personage of the story it is its truth, its existence.
We can perceive this at the moment where it suffers the taquicardia and is advised for its doctor to move away itself from the job, that is refused. But, it is in its meeting with the citizen (called of this form to become it different) that we perceive celebrates it cartesian perspective concerning the conception of the other, that is seen only through the representation of what it is idealized. In the first meeting with the beggar, the executive reacts with indifference, giving to it ' ' trocados' ' without the least to hear if the asked for aid if related the money exactly. … In this exactly day, when arriving per the morning at the office appeared to my side, in the sidewalk, a citizen folloied that me until the door saying? Doctor, Doctor, will be that you he could help me? I gave ones changed it and entrei' ' (FONSECA, 1994 p.411) For not wanting a contact or believing to be the related order of aid the money, it runs away from that scene without importing itself with that this to its side.