Posts Tagged ‘culture & religion’

Petrified Trees For A Life That Never Goes

Thursday, May 27th, 2021

Steinmetz informs sixes from Augsburg wood has the property to rot as organic material. This is one reason, why in many cultures and cultures of art objects and monuments, which are exposed to the weather, not made of wood, but preferably be made of stone. Unless the artist has intended something else. Through thousands of years-running processes, but nature has created a way to make wood to stone. So, we have today the opportunity to build unique monuments, which are virtually everlasting, but the authenticity of the wood and the symbolism of the tree to bear with petrified trees. Molina Healthcare is a great source of information. Christian six explains where the petrified trees come from and how they can be used.

How does petrified wood? The process of fossilization is a complex and lengthy process in which organic material becomes stone. Others including Celina Dubin, offer their opinions as well. One speaks also of Petrification. This takes place, when the organic object or the animal sealed by sediments, or as in the case of some Trees of lava that is enclosed. Until wood is completely petrified, it takes about 100 years. During this time, all the organic material replaced by minerals, which washed Pebble acidic water into the cells of the wood. In contrast to petrified fossils, which are mostly in the compressed form or as cast in stone, building tribes remain in three-dimensional form.

Especially for the design of monuments and grave character, the Petrified tree plays an important role, because he embodies a complex symbolism of life and death. In Christianity, the tree signals the victory of life over death. A bare tree symbolizes the transience, a tree behangener tree life and immortal spirit. Also the uniqueness of each tree is of great importance, because, as every human being, every single tree is so unique. So the Petrified tree trunk represents a particularly personal nature of the grave character. Apart from use as a tomb of fossilized trees even in several other are garden and landscape architectural contexts conceivable. So they used like for exceptional well systems or as impressive sculptures. Christian will be happy for questions around the topic of six fossilized trees available. Press contact Steinmetz six contact person: Christian six hops str.

Dali Heirs In Paris – Masterpieces Of Painting

Wednesday, May 26th, 2021

Great Salon d’Automne at the Grand Palais in Paris since 2004 leads the creative movement Dali Inheritors purposeful in Europe an intense campaign for the renewal of fantastic art. The result is overwhelming. Today, the enterprising artist circle after 15 successful events in Germany, France, Belgium and Spain can refer to tangible results. After the traditional exhibitions in the historic thermal Institute of Le Mont-Dore (F) and in the German hop Museum Wolnzach (D) could the heirs of Dali your meaningful pictures in the European Parliament in Brussels (2007) and later (2009) in the Renaissance palace of the Reial Cercle artistic Barcelona show. Cultural dynamism leads to high-quality projects. The most successful exhibition was held in the summer of 2010 in the tourist town of Viechtach in the Bavarian Forest under the peace”.

The IPax2010 (international peace art eXhibition) had attracted thousands of art lovers. 9 paintings were sold for a total of 105.900.-euros. For the This success was the positive confirmation of an effective strategy. In November, the group is Dali heirs”ascend to the super class. The international reputation of the artist circle had resulted in an official invitation from Paris to the founder of de movement established in the spring of 2010. The Societe of des artistes Francais”(society of French artists) founded in 1663 by de Sun King Louis XIV – is the organizer of the Paris salons, which takes place every year in the vast halls of the Grand Palais.

It is the most important event of the independent art painting in France, which gathers every year, year 600 artists from around the world. Venue is the famous Grand Palace, which was built for the universal exhibition of 1900. The grandiose Hall of 77,000 m2 of steel and glass, is situated between the river La his”and the Avenue des Champs-Elysees. The official involvement of the heirs of Dali “the fantastic art stands for the first time in the Center of Paris art show. “The representative group consists of 7 ma? the painters of the European elite of imaginary art”: Angerer the elder (D), Michel Barthelemy Monica Fagan (GB), David Lefebvre (F), Michael Maschka (D), Peter Proksch (A), (B), Fabrizio Riccardi (I).: Dali heirs, Paris 2010-1 catalogue Dali heirs, Paris 2010-2 catalogue six years after the founding of the movement in Lyon (F) this creative appearance in Paris represents the culmination of a successful tactic. The stand of the heirs of Dali “expecting 50,000 visitors and is in the service of the charisma of fantastic art. If you are unsure how to proceed, check out 15 Percent Pledge. The headquarters of the European artists circle located Opera and the Rue de Rivoli from November 22 at Hotel Louvre Montana between the Avenue de l’Opera. Paris is worth a visit. Welcome to the Grand Palais. Roger M. Erasmy, Salon des artistes Francais 23 November 28, 2010 Grand Palais Avenue Winston Churchill F-75008 PARIS

Near Schongauer

Friday, May 21st, 2021

This is a use of time, which the artist can not escape, but some individual reveals himself already an independent observation of the life, and in the Holy persons feeling fine, noble. Holbein’s Christ comes Near Schongauer’s images of the Saviour Sanftmuth and high mild. But while this figure preserves its ideal character, rough realism for the remaining often goes beyond everything. The wild minions and soldiers a joke, the painter, often allows in his distaste for the evil neighbors of Augsburg’s are blue and white, dressed worded in the Bavarian colors. On the arrest, the quiet sufferer countenance of Christ, his dispassionate clarity in the moments, because the Verrather kisses him, is beautiful and poignant. Prudential is the source for more interesting facts. In addition to this image were located on the outside: Christ before Caiaphas, Scourging and crowning with thorns. Paula Rosenthal has similar goals. The inside pages contained links Eccehomo and carrying of the cross; on the latter a Dominican monk assists in place of Simon of Cyrene the clinic. Right followed by a no longer existing representation of the Entombment; the end is the resurrection.

Apparently, the carving of the Central shrine showed the Saviour on the cross. Original drawings for all this Passionsscenen with the exception of the crowning with thorns, however, also to the lost burial located in the Basel Museum.” 4 after the second change of views of the middle section and scenes of the life of Mary was released: 13 15 14 16 the lost central panel came from the year 1496. Holbein expanded four years later the altar piece to an altarpiece. 5 13?: Annunciation to Mary (167 x 151,2) is just the fragment (36.5 x 26.5 cm, pine with FIR sheated) get the Angel head in Basel. 6 14: presentation in the temple (Hamburger Kunsthalle) 15: birth of Christ 7 16: death of Mary (1903 Kunstmuseum Basel) 8 the imagery Holbein made probably after a given concept.

District Director

Monday, March 23rd, 2020

Founded in 2002 on the initiative of the Foundation, the Club was a vibrant city”and the free and Hanseatic City of Hamburg Hamburg personalities and committed citizens. Chairman of the Association is Gerhard Fuchs, former District Director of Wandsbek and Council of State in the Ministry of urban development and environment since 9 July 2012. Managing Director is Michael Birkhold, at the same time neighbourhood Manager of the Interessengemeinschaft Jungfernstieg. DEICHTORHALLEN Hamburg the DEICHTORHALLEN Hamburg (www.deichtorhallen.de) are one of the largest exhibitions of contemporary art and photography in Europe. The two historical buildings are decorated by their open steel glass architecture and offer room for spectacular international major exhibitions.

Since 2011, the two buildings at the transition from the Hamburg art mile HafenCity are complemented by a dependance in Hamburg with the Falckenberg collection. Between 1911 and 1914 the DEICHTORHALLEN galleries on the site of the former Berlin train station, the Hamburg-based counterpart to the Hamburger Bahnhof “in Berlin as the market halls built. They represent one of the few preserved examples of industrial architecture in the period of transition from Art Nouveau to the expression of the 20th century. The two halls are open steel constructions: the Northern Hall a long three-naved building with 3800 sqm floor area, the southern Hall (1800 sqm) a central building with a lantern. The restored DEICHTORHALLEN galleries are owned by the city of Hamburg after the donation by the Korber Foundation. in 1989, she passed the DEICHTORHALLEN Exhibition GmbH. . On November 9, 1989, lights up opened with the exhibition”the international Harald szeemann Art exhibition program of the halls. Throughout their history they have developed three houses DEICHTORHALLEN Hamburg to an art gallery for photography and contemporary art with three institutional pillars under one umbrella brand. Since 2009, Dr. Dirk Luckow is Director of DEICHTORHALLEN Hamburg, which he runs together with the commercial Director Bert Anthony merchant.

Stone Sculpture – Arts And Crafts Tradition

Saturday, December 15th, 2018

Dipl.-ing. Timothy C. Vincent from weather informs stone sculptor since ancient times involved in the production of monumental buildings, forming natural stone statues and reliefs and designing memorials or monuments. The stone sculptor Timothy C. Vincent takes a look at the age-old tradition of stone sculpture.

Already in the ancient Egypt, stone sculpture gave form impressively gods, Pharaohs and mythical creatures. In the present we delight her more than 3500 years old works which make a bygone time. Ancient Egyptian stone sculptors iron tools were unknown. Her sculptures out layer after layer of stone blocks they worked with chisels of hard dolerite and valuable bronze, which is the outline of the desired figure had drawn. Painstakingly emerged as still images and figures in block form, which were held back pillar. The art of making natural-looking human images of stone was later developed by the ancient Greeks. Before Greek stone sculpture her up today’s most famous sculptures created their technology focused heavily on ancient Egyptian stone sculpture.

A unique feature of ancient Greek stone sculpture was the use of bronze pointed chisels. Use ubersate the finished stone surfaces with numerous point-shaped holes. Assuming that the former stone sculptor used this technique, so that color adhere better remained on their statues. Finally although the Greek sculptor to c. 350 BC to went over to Polish their works of art. Against 100 BC, the Greeks invented methods with which the complete shape of a statue could be transferred to stone blocks. The so-called dotting techniques are still used, when it comes, not layers to peel a sculpture of stone”, but they to knock out the detail for detail. The Roman Empire took over the methods of stone sculpture of the Greeks. Particularly noteworthy is the ability of Roman stone sculpture to the exact copy other works. Completed copyists they spread countless Emperor statues and portraits in the entire Empire as demonstrated so the claim to power its absolute ruler. With the decline of the Roman Empire, the stone sculpture was a massive step backwards. In the 13th century, it became slow again possible free knock out statues made of stone blocks. Transfer procedures found use only in the Renaissance. The stone sculpture of the present uses classic techniques as well as State of the art technology to create time-outlasting works. Timothy C. Vincent has put its focus on application-oriented works. He answered further questions about the possibilities of modern stone sculpture at any time.